Haruo Shirane :: One of the reasons why
Bashô becomes so fascinating for the Japanese is because he is
someone who represents spiritual freedom in an era in which society is
so hierarchical. We have society where the samurai are the elite, and
the four classes, a Confucian hierarchy in extremely tight control over
the populace. But Bashô is someone — at least the image he
creates — is someone who is able to leave society. The recluse
and the traveler become images of spiritual freedom.
Donald Keene :: An almost saintly person living in
an age when saintliness was not at a great premium, but at the same time being
a part of that age, and yet transcending it by his poetry.
In 1993, which was the
300th anniversary of Bashô's journey to the north, the narrow road of Oku
journey, there were millions of people, literally, who went to the same places.
It was hard to get on a train. Everyone wished in some way to participate in this
experience. |