Robert Oxnam :: In
the Heian court, one of the highest and most popular arts was that of writing
poetic verse. At this time, waka poetry became the dominant form with its
characteristic five lines of 5-7-5-7-7 syllables. The first three lines were
the basis for the later haiku form that retains its popularity down to the
present.
Haruo Shirane :: Poetry, the thirty-one syllable
form, extremely short, compressed, was something that everyone composed.
Unlike in the West — where poetry is for poets, poets compose in their
studios or at home — you had to have the ability to compose poetry;
otherwise you couldn't have conversation. The men and women were divided,
separated physically, so that anyone who hoped to have any encounter with
the opposite sex had to do it through poetry. So it was an extremely important
social medium. It also became an important public medium because the ability
to turn out a good verse put you in very good standing with those in higher
authority.
[Reading of a waka poem]
I thought to see whether I could do without
you.
I cannot tell of the longing, even in
jest.
H. Paul Varley :: Waka poetry is the
very essence of Japanese aesthetic taste, sensibility, of the way the
Japanese look at themselves, look at nature, look at the world. And
this remained the core of aesthetic values, the expression of aesthetic
values, right until recent times. Even today, poets, and others, are
influenced by the qualities of classical waka poetry. |