Haruo Shirane :: The
notion of impermanence is an extremely salient characteristic of the Tale
of Genji, of all the works of the Heian period. The notion that all things
are ephemeral, that things must change.
On the one hand the aesthetics of
the period are based on the beauty of impermanence — the scattering
of the cherry blossoms, the dew disappearing before the sun rises. Even though
it reminds us of the futility of the world, it's precisely that — it's
the sorrow in the impermanence that brings us aesthetic pleasure. But toward
the end of the novel, that becomes not simply an aesthetic pursuit, but a
cold reality that turns the characters toward the other world and inward.
So eventually it becomes an inward quest. It starts as an outward quest
for either other women or an outward quest for social mobility within society,
but eventually it turns inward and becomes this internal quest for salvation,
finding your own spirit. And that kind of foreshadows the great literature
of the medieval period, which was the inward quest and the darkness outside. |