To the Teacher: The following
reading is designed to provide students with a brief introduction to Japan's
classical period. Although the reading can stand on its own, we recommend
that you use it as the historical introduction to one of three literary
selections that can best convey to students the flavor of classical Japan.
Student Reading
The Court at Kyôto: Japan's Golden Age
Toward the end of the eighth century, the Emperor and his court chose a new site for
the capital in central Japan and built a city surrounded by beautiful mountains. The new
city was called Heian-kyô, "the capital of tranquility." (It has become the
modern city of Kyôto.) During the Heian period (794-1185), named after this city, the
country really was at peace, and the aristocrats of the Imperial Court spent much of their
time creating a classical culture that still lives today.
The Japanese had imported many things from China in the few preceding centuries - Buddhism,
Confucianism, poetry (and the language, Chinese, in which poems were recorded), art
techniques, methods of organizing government, even the plan for the city of Heian-kyô
itself. But as the Heian period progressed, the Japanese took less and less from China,
concentrating instead on integrating what they had learned so that it fit their country,
their values, and their attitudes. Just as the symmetrical grid arrangement of the streets
of the new city gave way to an asymmetrical form, Chinese imports were altered and grew in
particularly Japanese ways. The culture that flourished in the tenth and eleventh
centuries was dominated by aesthetic concerns and produced art and literature that
continues to influence Japanese society and the way Japanese perceive the world.
The aristocrats who lived in Kyôto considered poetry, music, and indeed all the arts to
be the most important human accomplishments. They included aesthetic skills we rarely
think of now, such as mixing incense to make the most beautiful fragrances. Lovers courted
each other with poetry, often written in the form of waka or tanka, and
affairs succeeded or failed according to the sensitivity of the poems and the beauty of
the writer's handwriting (calligraphy). Men often gained favor at court more for their
abilities in the arts than for their bureaucratic skills. The tales, romances, and diaries
of women became the classics of the literature, and the favored poetic form of this age
lasted for the next thousand years.
The Pillow Book by the court lady Sei Shônagon seems to take us right into the
court, as she records her opinions about the small world around her and her experiences
with the events of her day. The greatest work of fiction, The Tale of Genji, by the
lady-in- waiting Murasaki Shikibu, gives a clear and moving image of the ideals and
sentiments of the age. It tells of the life of "the shining Genji," his loves
and his troubles, and of the melancholy and sense of decline in the generation after his
death.
By the eleventh and twelfth centuries, the courtiers' neglect of the more
practical matters of government began to tell. The military rulers of
the provinces became more and more powerful, until in 1185 power passed
out of the hands of the Imperial Court and into the hands of the warriors,
the samurai. But even the samurai of later ages owed a debt to the Heian
aristocrats, inheriting and developing their Buddhism, their poetry, and
their appreciation of beauty.
| back to top |
Teacher Background
Selections from the Tale of Genji by Murasaki Shikibu and the Pillow Book of
Sei Shônagon combine to give a balanced picture of life among the aristocracy in Japan at
the height of the Heian period. Sei Shônagon's sharp and witty descriptions of court life
offer an astringent account of the manners of the age, while Murasaki's fiction expands on
its ideals and attitudes with striking psychological insight. They are an important
corrective to the warrior-dominated image we often have of premodern Japan, reflecting
instead an earlier age when gentler arts were the most highly valued. The very fact that
these two works, acknowledged as the greatest prose writing of a very rich period, were
written by women is an important indication of the varieties of social organization in
Japanese history. It was not until the later feudal period that women's status declined to
the position of docile subservience familiar to us from samurai movies and modern
stereotypes. At the height of the classical era, women had considerable freedom socially,
economically, and artistically, and their creative accomplishments, especially in
literature, set the standards for the age.
The Japanese have drawn upon the sensibilities of the characters and the author of the Tale
of Genji for nearly a millennium in defining and extolling the national character.
Later literature, from medieval Noh drama to modern novels, has reworked and reexamined
themes and events until the novel has become as much a part of Japanese thinking as
Shakespeare's plays are in our own tradition. More than a few modern writers--from the
poet Yosano Akiko to novelists Tanizaki Junichirô and Enchi Fumiko--have spent years in
the labor of love of translating the lengthy novel from its difficult classical language
into modern Japanese.
On the other hand, Sei Shônagon's prose style is still studied as a model of classical
literary style. High school students memorize passages for their college entrance exams,
and with the words absorb her views and aesthetic pronouncements. The miscellany, or
collection of random thoughts; observations, and emotions, has since her day become a
widely used genre in Japanese literature.
As is clear from these prose selections, the short poem (or waka,
called tanka in modern times) was an important medium of both communication
and expression in Heian times and thereafter into the twentieth century.
While it is no longer in the mainstream of high literature, it remains
a popular amateur form and is held in high esteem by the Japanese as a
unique cultural achievement.
| back to top |
Links to the selections in the Literature section.
(These selections are accompanied by a detailed introduction
and exercises.)
The Tale of Genji
The Pillow Book
What is "Waka"?
| back to top |
|
Contemporary Japan: A Teaching Workbook
| © Columbia
University, East Asian Curriculum
Project
|
|
Asia for
Educators | afe.easia.columbia.edu
|
|
print |
close
|
|